There are a whole bunch of scenes pointing fingers at incidents of 'religious intolerance' taking place throughout the country: Suraaj's character renames his shop from Nair's to Nayyar's in an endeavor to save his livelihood, a cop beating up his son for eating beef (while the financiers of the godman gorge on beef-burgers), Muslim dwellers leaving town when an extremist Hindu godman begins to rule the roost - more importantly, these segments are trying to make a statement. But once the 'stars' take over, the film tries to cater to the artsy and the massy all at once - an effort the makers fail desperately in. The first twenty minutes (before Gopy's entry) are undeniably the best part of the film: people in the village are going about their usual business - the sight of goons terrorizing the locals in the name of religion has become a familiar sight Suraaj and Ananya lend a completely down-to-earth tone to the scenario. Coming to his eventual aid is a gangster-turned-fakir who goes by the name of Aslan Mohammed (Prithviraj), the story of whom is told in detail in the latter half.

Things get personal for Pattabhiramagiri when his family is at the receiving end of threats/dirty deeds from Mahashay Bhagwan. Standing in Bhagwan's way is a Brahmin scholar Pattabhiramagiri (Indrajith) and a couple of his allies (who give into Mahashay's manipulations early on).

Mahashay Bhagwan (Murali Gopy), a self-proclaimed godman wants to take over property in rural Uttarakhand to build a new ashram much to the chagrin of the villagefolk - a heterogeneous mix of communities and people from various religions (and castes) that have been living in harmony for decades. What is not so great is the manner in which scenarist Murali Gopy and director Jiyen Krishnakumar have chosen to get this point across. I'll be honest with what I really liked about 'Tiyaan': the guts shown by the makers in addressing an increasingly alarming issue faced by Indians today - violence in the name of religion.

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